Lilli Wosk is a vocal coach and music director, primarily based in New York City. Her studio focuses on book-building and audition prep with a side of vocal technique and not-so-tough love. She splits her coaching time between Washington Heights and Midtown, Manhattan and her clients range from Broadway's best to those who carry tunes in buckets and love to sing anyway!
She is currently in Las Vegas, teaching remotely and writing original music for kiddos with her husband and doggie.
Lilli has toured nationally and internationally, as conductor of the 1st National Broadway tour of Sara Bareilles' Waitress, and as music director of the 2nd (Inter)National Tour of HAIR. She has spent time on the West Coast MDing for Transcendence Theatre Company, around NYC with such great companies as the New York Theatre Barn, the Astoria Performing Arts Center, and The Gallery Players. She loves collaborating and teaching with other multi-talented coaches, directors, and composers - check out the Current Projects page for more details and upcoming workshops.
As an educator, she has become part of the artistic staff at NYU's Experimental Theatre Wing, Berklee College of Music Summer Intensive, Stage Coach Theatre Arts, Beacon High School, The San Francisco Arts Education Project, and Education Through Music.
She approaches teaching from a physiological standpoint, with training in speech pathology and voice therapy. She believes that technique must be strongly tied to acting intention in order for it to stick, so each lesson is different, striving for a that perfect balance of releasing and protecting the voice simultaneously.
She is currently in Las Vegas, teaching remotely and writing original music for kiddos with her husband and doggie.
Lilli has toured nationally and internationally, as conductor of the 1st National Broadway tour of Sara Bareilles' Waitress, and as music director of the 2nd (Inter)National Tour of HAIR. She has spent time on the West Coast MDing for Transcendence Theatre Company, around NYC with such great companies as the New York Theatre Barn, the Astoria Performing Arts Center, and The Gallery Players. She loves collaborating and teaching with other multi-talented coaches, directors, and composers - check out the Current Projects page for more details and upcoming workshops.
As an educator, she has become part of the artistic staff at NYU's Experimental Theatre Wing, Berklee College of Music Summer Intensive, Stage Coach Theatre Arts, Beacon High School, The San Francisco Arts Education Project, and Education Through Music.
She approaches teaching from a physiological standpoint, with training in speech pathology and voice therapy. She believes that technique must be strongly tied to acting intention in order for it to stick, so each lesson is different, striving for a that perfect balance of releasing and protecting the voice simultaneously.